Just a short blog today for you Facebook fans! For sometime now, I have been following a Facebook page with the grandious title of "Camera Gear, Buy, Swap and Sell - Australia". It truly is amazing what some people dig up that they no longer use! I have seen everything from 10x8's and 120 cameras - right through to straps, memory cards, filters of all descriptions - in fact, you name it someone has one to sell. You can also swap gear with fellow photography fools - or you may be after something in particular, you can see if anyone out there in Facebook land has one for sale. The site seems to be well monitored by the moderators, they take no rubbish from anyone!
I had a recent experience with the purchase of a camera and had no problems what so ever, the lady was prompt, courteous, and the camera was as advertised. One is usually loathed to recommend anything on the internet - but this one seems like a winner and is certainly worth keeping an eye on. You never know what you might buy!!!
Here is the link to the page -
https://www.facebook.com/.../Camera-Gear-Buy-Swap-and-Sell/1787352...
PBC
Sunday, 4 May 2014
Beautiful Moving Water Photography
Ever wondered how they got those photos of waterfalls and running jungle streams to have that astonishing "smooth" water effect? Well wonder no more - the answer is that the photographer has used a neutral density filter. These filters come in a variety of types, from the, for example 2-9 stop variable neutral density filter - which are adjustable from two stops darker, right through to nine stops darker, to the Cokin type square filters that attach via a frame on the front of the lens. In fact, depending on where you are photographing, a polariser can even be used to shut that annoying light out of your lens!
Variable ND Filter |
Cokin filters and frame |
In order to get the "soft" water look in your photo, the lens must be opened for what would be considered a long time in order for the water to "move". Of course, doing this in daylight would result in a very over exposed and primarily white image. The trick is to darken up the image, by filtering the light entering the lens, therefore allowing the lens to remain open longer. We are only talking 1 to 5 seconds here, and setting your camera to aperture priority makes life a tad easier, as you only have to adjust your shutter speed.
Slow shutter speed |
5 secs - Neutral Density Filter |
If you don't have a variable neutral density filter - using a combination of both a polariser and a Cokin filter will give you similar results. Of course photographing a stream or waterfall in a darkish location (like a rain forest) will certainly help filter out harsh sunlight and give you a nice result. Remember, that a lot of this type of photography is practice - trial and error for want of a better expression.!
PBC
PBC
Small product photography using continuous lighting
Not everyone has the luxury of having a speedlight, let alone studio flashes available. Product photography, particularly smaller products, can easily be photographed using nothing more than bright continuous light. The lights don't necessarily have to be professional quality studio lights, as long the light is consistent and bright! A very simple white background (or black) can be put together with some cardboard pieces, paper and clamps.
Camera settings are pretty straight forward - Aperture Priority, F8 with an ISO of 100. These are just starting points, and obviously experimentation is the key to finding out how your particular products photograph in front of the lights that you are using. However, depending on the power of your lights, it might be advisable to put the camera on a tripod if the shutter speed drops under 1/60th. Exposure compensation may be used here, to brighten up the background and help get than bright white background. Consult you camera manual to see how this is done, it is well worth the effort. Use of a black background not only gives the product a different look, it removes shadowing if that is a problem.It is also much easier to do!
Click on this link to a very early Gavin Hoey video and see how easy it is.
https://www.youtube.com/watch?v=TM4zca0NH9M&feature=player_detailpage
PBC
Camera settings are pretty straight forward - Aperture Priority, F8 with an ISO of 100. These are just starting points, and obviously experimentation is the key to finding out how your particular products photograph in front of the lights that you are using. However, depending on the power of your lights, it might be advisable to put the camera on a tripod if the shutter speed drops under 1/60th. Exposure compensation may be used here, to brighten up the background and help get than bright white background. Consult you camera manual to see how this is done, it is well worth the effort. Use of a black background not only gives the product a different look, it removes shadowing if that is a problem.It is also much easier to do!
Click on this link to a very early Gavin Hoey video and see how easy it is.
https://www.youtube.com/watch?v=TM4zca0NH9M&feature=player_detailpage
PBC
Tuesday, 29 April 2014
The Amazing Ice Light
The "Ice Light" is a fantastic versitile portable light used in still and moving photography. The Westcott Ice Light is a dimmable, 5,200-5,400K LED source. The first thing is that it resembles a 20.25" baton or perhaps wand is more appropriate given the soft light magic that the Ice Light conjures. Hold it as close as you want to your subject; the closer you get the more Ice Light's wrap-around quality of light becomes evident. Since it's virtually heat-free you never have to worry about injuring the talent or damaging the set. The following video gives a general run down on how it works.
The Power comes from a built-in battery that will run for 60 minutes on a 2.5 hour charge. And at 100-240V AC, you can charge it anywhere there's electricity. There's a 1/4"-20 tap at each end to mount the Ice Light to a light stand or other accessory. The Ice Light comes with gel clips, battery power/charger cord and carry case with shoulder and belt straps. It is quite costly, around $500 Australian dollars but if you have that as spare change, it is well worth the purchase as there are so many uses for it.
The light produces soft daylight balance and can be used indoor or out. The light can even be used in the shot itself as the following image shows.
Photo by: Jerry Ghionis
There are also stands that the lights can be attached to.
Photo by: Andrew Funderburg
The light can even be used for a painting with light effect. This is very useful for interior situations with low lighting conditions. Also, those arty type of photographers would enjoy using this to paint with light at locations such as warehouses, abandoned buildings and street scenes. It can be combined with other lighting equipment such as torches and various led lighting systems.
Photo by: The Westcott Team
So if you are looking for a piece of equipment to add to your kit that is portable and easy to use, then maybe a Ice Light is just for you.
Photo by: Jim Schmelzer
BMW
Portraiture using Tilt Shift lens effect
Whenever I think or hear of tilt shift lens, I always picture those quirky cityscapes with miniature people looking like something out of a Lego movie.
Image from: bloggs74.com
Recently I read an article where the tilt shift lens effect can be used with portraits. I thought "That's a little extreme in depth of filed blur" however I was extremely surprised when I saw the results. The following image is a beautiful example of just how this effect can be used well.
Article by Trevor Dayley from: fstoppers
Then I thought well...it might work well with a portrait incorporated in a landscape but would it work in the studio environment?
Image by: Brittany Mclaren.blogspot.com.au
Well it certainly does. These images taken by Brittany Mclaren show just how the tilt shift lens can be used in many situations even studio portraits. More examples can be seen on her blog. I think the key is to not over use the effect resulting in 90% of the image being blurry. It's important to ensure that the main area of your subject, such as the eyes and most of the face is sharp. It is easy to loose the viewers attention if they don't know what to focus on. The following image shows extreme tilt shift effect. The artist took this image specifically showing an extreme effect.
Image from: The Keh Camera Blog
Ok...so it is a nice effect with portraits but what if you don't have a tilt shift lens? Not all is lost. A few years ago there were many step needed to create a tilt shift lens effect however, Photoshop CS 6 now has tilt shift lens effect in the Blur filter section. It is a fantastic tool and not too complicated to use. The following article gives a step by step lesson on how it is done.
Is it really east to use? Well I tired it out on a portrait I took some time ago and it was much easier than I thought. I am really enjoying this effect and will be using more often. Have a go...it's well worth the effort.
Photo by :Billie-Maree Ward
BMW
Thursday, 24 April 2014
Super Sharp Splash Photography
Achieving crystal sharp images of splashing water using standard strobe is difficult if not impossible. The camera needs to capture the water at super fast speeds and this can not be done with shutter speed alone as standard strobes only work at speeds 1/250 second or slower. If you use this system, the results are passable if you don't need to enlarge the image or you are doing something a bit arty. The following image was shot using standard strobe at 1/250 of a second.
Photo: Billie-Maree Ward
The secret to high speed photography techniques is using a very short duration of flash – as short as 1/40,000th of a second. If everything else in the room is dark, the light emitted from the flash effectively becomes your camera’s shutter speed, making it perfect for capturing motion. Canon has a range of speed lights that will achieve good results with smaller set ups but what if you wanted to photograph people in action? Then you need larger lights that have the capability to pulse light at very high speeds.
Photo: Alex Koloskov
Which strobes have the shortest flash duration? There are a few brands out there however the 'Broncolor' Strobe are known to produce remarkable results such as 1/8000 of a second but certainly at a price. A short tech write up on these flashes at http://www.picturecorrect.com/tips/how-to-use-flash-to-capture-razor-sharp-water-splash-photos/
Photographer Iain Crawford creates incredible images using high speed flashes. The following image is just an example of such work.
Photo: Iain Crawford: http://iaincrawford.com
This technique is also used by photographer Jaroslav Wieczorkiewicz who photographs liquid separately and then morphs the images together to create works of art.
Photo: Jaroslav Wieczorkiewicz
As you know, water and electricity is not very safe so be very careful in the studio. Have all equipment well covered and waterproofed. The following video shows how the Broncolor is used in the studio. Note: there are cheaper strobes out there that will work for you. I have just used Broncolor as an example to show how well the technique works.
BMW
Wednesday, 23 April 2014
Refraction (refection) Photography in Glassware
Refraction photography is not simply scientific photos of science experiments but when some artistic flare and forethought it used, it is a great way to pass a nice day out in the field. When I first started on my photography journey, one of the first assignments I ever shot was the reflection of Flinders street station in Melbourne through a wine glass filled with water. I remember feeling a little foolish placing my wine glass at different locations and filling it with water. I certainly got a few strange looks and often people coming up to me asking what I was doing. I wish I still had that image (which was shot on negative by the way) to post here but the following image will give you a bit of an idea as to what I mean by refraction or reflection photography using glassware.
http://alexicirelli.wordpress.com/2011/04/ The key to creating successful images is to ensure you have a nice clear bright day. You will need plenty of light to get a clear image in the water of the glass. Pick locations which are reasonably open (in saying this I would like to experiment with street scenes) to start with. |
Image by David Rigg - Fine art America To make the experiment a little easier at first, simple fill the frame with the glass at first. Make sure you turn the camera focus to manual and focus on the image in the glass, not the glass itself. I like to use an aperture of around f f8 as I like to have the background blurred a little so that the focus is on the image in the glass. As with anything photography, experiment and see what you come up with. http://www.aaanything.net As you become more experienced, try sunsets, people, famous landmarks (if you can get to them) or anything you think will work. Use your creativity and see what is successful or not. This is often how some great techniques have been discovered. Just give it a try. BMW |
Tuesday, 22 April 2014
Cloud Photography
Cloud photography is not simply pointing your camera up to the sky and taking a series of images of clouds (although there is nothing wrong with that either. There are some wonderful images of clouds) No...I mean actual clouds which are created indoors...yes that's right, inside clouds.
Recently I read an article in 'Picture Correct' about Dutch photographer Berndnaut Smilde. Since 2010, he has been working on various photo series of clouds floating within mansions, beside fashion icons and in vacant German churches. It is so fascinating how he creates actual clouds using a specific machine. This is not the only thing he needs to do but he also sprays the floor and walls with water to ensure that the clouds look authentic.
After the environment is all really to go, the machine is turned on and multiple images are shot. In the final editing process the machine is Photoshopped out and the images enhanced.
Image by: Berndnaut Smilde
Image from the Telegraph
After the environment is all really to go, the machine is turned on and multiple images are shot. In the final editing process the machine is Photoshopped out and the images enhanced.
Image by: Berndnaut Smilde
Berndnaut now uses this method in his portrait photography. Famous people pay a small fortune to have these unique images created for them. In 2013 he was commissioned for Harpers Bazaar to create a beautiful series of images. The following portrait is of Karl Lagerfield.
Image by: Berndnaut Smilde
To see how these images are created, the following video is an interview with Berndnaut himself explaining the processes and technical aspect of his cloud photography.
Image by: Berndnaut Smilde
To see how these images are created, the following video is an interview with Berndnaut himself explaining the processes and technical aspect of his cloud photography.
Another artist, Spanish photographer Lola Guerrera, creates similar images outside. These are artificially colored clouds which he created in the Mexican desert and are quite stunning. His web site is written in Spanish but there are a few examples of his 'Nebula Himilis' series.
Image by: Lola Guerrera
Even tough most of us don't have a cloud making machine in the garage, these type of images can be created in Photoshop with good technique. Photographer Rose Hardy who is known for her beautiful self portraits and other works has created an image (there may be more) editing clouds into her photo. I am assuming here (I may be wrong) that they are Photoshoped and not created with a machine.
Image by: Rose Hardy
If you are looking for some extra inspiration for your photography, clouds may be just the thing you need whether they be outside or inside clouds.
BMW
Monday, 21 April 2014
Balance outdoor and indoor lighting
Nothing looks worse than a photo taken indoors with a window in the background that has the highlights completely blown out. It could be the best view in the world - but looking at the photo you'd never know, because it's nothing but an overexposed blob.
The following photos were more close up, with a daylight background through a large window and only one flash was used/required. A light meter reading was taken of the light passing through the windows, and our flash light power was adjusted accordingly, so as to match the light meter reading of the ambient light passing through the glass. For example - because the focus of the photo was not the outside background, the subject was to be shot as F4.5 (125th), giving the background a blurred effect. The flash was then adjusted accordingly to match - F4.5.
This photo was shot at F8 - the background in the shot was more in focus this time and of course the flash power was adjusted to produce light at F8.
This is a nice little tip if you happen upon photographing real estate. Of course this is a very short and basic tutorial, but we hope it gives you somewhere to start!
PBC
The window view is completely gone! |
Alternatively - if the background is correctly exposed - the indoor becomes way too dark.
Window view back - interior gone
|
A bit of flash is quite obviously required here - but how do you keep that nicely exposed background as well? The answer of course is the balance the flash and the outside light, so that they both meter the same. It is plain now that 2 other pieces of equipment are required here, superfluous of course to your camera, those being a light meter and a flash of some description - studio or speedlight. For a room of this size, and taking into account that it is broad daylight outside (meaning that it's very bright), more than one light would no doubt be handy. The following photos were more close up, with a daylight background through a large window and only one flash was used/required. A light meter reading was taken of the light passing through the windows, and our flash light power was adjusted accordingly, so as to match the light meter reading of the ambient light passing through the glass. For example - because the focus of the photo was not the outside background, the subject was to be shot as F4.5 (125th), giving the background a blurred effect. The flash was then adjusted accordingly to match - F4.5.
Nice colourful blurred background |
This photo was shot at F8 - the background in the shot was more in focus this time and of course the flash power was adjusted to produce light at F8.
Background light balances perfectly with interior flash |
This is a nice little tip if you happen upon photographing real estate. Of course this is a very short and basic tutorial, but we hope it gives you somewhere to start!
PBC
Thursday, 13 March 2014
High Key Fruit Photography
A recent assignment required me to photograph fruit in such a way as to show the freshness of the product. I thought a nice white high key type background would be appropriate. The fruit was carefully cut into halves, and some cut into nice thin even slices. Bright colourful, contrasting produce was selected - better to stand out on the stark white background.
The fruit was arranged on a small light table - a transparent white plastic surface, with a curved endless background. A softbox was placed on one side - to shoot light across the fruit, and due to the unavailability of a short background light stand, or even any sort of reflector, a bare bulbed light was placed on a stand behind the light table and slightly off to one side. Turned out OK anyway!This light was approx. two stops brighter than the softbox.
Here is a photograph of the actual setup -
PBC
The fruit was arranged on a small light table - a transparent white plastic surface, with a curved endless background. A softbox was placed on one side - to shoot light across the fruit, and due to the unavailability of a short background light stand, or even any sort of reflector, a bare bulbed light was placed on a stand behind the light table and slightly off to one side. Turned out OK anyway!This light was approx. two stops brighter than the softbox.
Here is a photograph of the actual setup -
Prior to shooting any actual products - the custom white balance was set - and of course the Colorchecker Passport was photographed. (It goes without saying really!) Camera settings mainly used for this shoot - F6.3 1/125 ISO 100 Custom WB. However there were of course some adjustment to theses settings, depending on lenses and distance from subject of lights and/or camera.
Here are some examples of the results from this shoot.
PBC
Wednesday, 5 March 2014
Sequence Photography - Composite Photography
For all you sports and action fans, sequence photography is a great medium for capturing action and movement in one image. It requires some technical skills and post editing, but the results are well worth the effort.
Originally this style of photography was achieved through high speed film camera systems. The first image taken was by Eadward Muybridge in 1878. The reason he took this photo was to study whether horse's feet were all off the ground during a trot.
Sequence photography has also been used in portraiture. Asif Tufal, a photographer in South Essex manipulates his images to create interesting family portraits. http://www.tufalphotography.co.uk/gallery6.html
Originally this style of photography was achieved through high speed film camera systems. The first image taken was by Eadward Muybridge in 1878. The reason he took this photo was to study whether horse's feet were all off the ground during a trot.
With todays digital advancements, sequence images can be edited into one image. Recently we have seen the Winter Olympic games and Citibank hired photographer Dylan Coulter and his team to photograph 8 Olympians in their various sports using this sequence method. The results are quite stunning. The following link is a short vid on their process. http://vimeo.com/86328614
Sequence photography has also been used in portraiture. Asif Tufal, a photographer in South Essex manipulates his images to create interesting family portraits. http://www.tufalphotography.co.uk/gallery6.html
Personally for me, I don't like this effect with still portraits but I am sure there are many who would like to try this as an alternative process to their work. I feel that sequence photography is more effective with action such as this image. www.markoknezevic.com
A nice post editing effect I have noticed is that some of the sequence images have been screened, or lightened. This softens the effect and gives more depth to the image.
Sequence can also be used to capture the wonderful movements of animals. You will need loads of patience to capture the animal in different positions however, the results are very beautiful. I think that zoologist and scientist could benefit greatly with these types of images as they can study specific aspects of the animals movement in one single image.
Sequence can also be used to capture the wonderful movements of animals. You will need loads of patience to capture the animal in different positions however, the results are very beautiful. I think that zoologist and scientist could benefit greatly with these types of images as they can study specific aspects of the animals movement in one single image.
How to shoot and edit a sequence image:
- Must use a tripod
- Choose action that will move across the cameras path
- Ensure the lighting is varied so that in each image the subject has light falling on it at different angles
- Turn camera onto continuous shutter. The more images to choose from the better
- Batch edit the images in either Lightroom or Photoshop and then combine into one image
The following vid shows a very quick and simple method of post editing in photoshop CS6. There are many ways to edit sequence images, but I thought this was a very good example of the basic steps but still producing a good result. http://youtu.be/Ax8G2mMCL9o
Overall I do like this type of photography, especially with action subjects. It provides the viewer with the whole story in just one image without having to look at multiple images in a sequence like the first image in this post of the horse. I also feel that this style of photography has great potential in other genres such as commercial photography as the following image shows.
Billie ;)
Sunday, 23 February 2014
Cheap Macro
If one is not flush with funds to spend on a macro lens (which may or may not get a whole lotta love - sorry Bob and Jim), and you are interested in doing a few macro shots on the cheap - then Extension Tubes are what you need. This inexpensive equipment is readily available on the internet for as little as $10 to $20. Brand name tubes are also available, but as with anything photographic - you will be paying for the name. However, brand name extension tubes are more compatible with the camera.
Extension Tubes attach between your camera body and the lens. Sadly, control of aperture and auto focus is forfeited. In order to set an aperture that you prefer, depress the depth of field button as you remove the lens from the camera. The fellow in this video has some good ideas for photographing macro using Extension Tubes -
In order to actually focus - you must physically move your camera, or if the object you are photographing is portable, move the object until it becomes focused. Use of a tripod is handy here!
Three different sized extension tubes |
Extension Tubes attach between your camera body and the lens. Sadly, control of aperture and auto focus is forfeited. In order to set an aperture that you prefer, depress the depth of field button as you remove the lens from the camera. The fellow in this video has some good ideas for photographing macro using Extension Tubes -
In order to actually focus - you must physically move your camera, or if the object you are photographing is portable, move the object until it becomes focused. Use of a tripod is handy here!
Camera moved into focus |
Pencil moved into focus |
How could you utilise macro photography? I'm thinking some pretty wild abstract stuff! Not only the standard bugs and plant life - how about pencils, soap bubbles, oil & water, shells to name but a few.
PBC
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